This artist catalogue is an overview of my solo exhibition stay here stay how stay. Featuring art, poetry, and theory, a foreword by Kate Wolforth, as well as essays by Emily Critch and Sonja Boon. Designed by Hazel Eckert and produced by The Rooms.
Published by Anstruther Press, this poetry chapbook playfully explores intergenerational touches and relations that wash through the lives of trans sex workers in Ktaqmkuk (Newfoundland).
I gratefully acknowledge the generous financial support of ArtsNL and the Canada Council for the Arts.
This book takes an intimate, collaborative, interdisciplinary autoethnographic approach that both emphasizes the authors’ entangled relationships with the more-than-human, and understands the land and sea-scapes of Newfoundland as integral to their thinking, theorizing, and writing. The authors draw on feminist, trans, queer, critical race, Indigenous, decolonial, and posthuman theories in order to examine the relationships between origins, memories, place, identities, bodies, pasts, and futures.
poetry (selected)
cordage
the ex-puritan, 66/67, 2025.
islets (riddle fence poetry prize)
riddle fence, 53, pp. 4-6, 2024.
Fragments, Water/Wept
The Anstruther Reader, ed. Jim Johnstone, PP. 142-145. Windsor: Palimpsest Press. Forthcoming 2024.
fish knife
antiphony, 2, p. 40, 2024.
Intracontinual
filling Station, 82, p. 16, 2024.
Errant Pleasure + Heretofore
Horseshoe, 2 (1), p. 17-18, 2023.
Oceanleaving
PRISM international, 62 (1), p. 32, 2023.
Umbilicus
Janus Unbound: Journal of Critical Studies, 3 (1), pp. 16-18. 2023.
anti-fragile looking forward
Spectral Lines: An Anthology of Visual Poems, 2022. Toronto: League of Canadian Poets.
Every Shadow a Bother but You + Annals of Soft Resistance
Arc, 94, pp. 38-39. 2021.
Eating All Your Ashes I Was Meant to Spread at Sea
The Dalhousie Review, 100 (3), p. 358. 2020.
Sex Work Studies Syllabus is Void
untethered Magazine, 5 (2), p. 80. 2020.
Milky Light of a Clinica’s Infinite Gaze
Understorey Magazine, 18. 2020.